Tom Ferris
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Barbara Langlois
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Alain Jarry
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Amy Miles
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Norbert Tomas
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Roni Margolis
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Roni Margolis
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Andi
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Richard Banks
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Rob French and Alicia Mann I thought the dress was so beautiful for the cover of Centennial at Jalna, that I decided to do a portrait of the bridal couple in a different setting. I put them in Callaway Gardens, a marvelous place open to the public, here in Georgia. It's a glorious sight in springtime, when the thousands of azaleas, rhododendrons, and dogwood are all in full bloom. |
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Coco Chanel Although this painting was used for the hard cover book, Coco, the Novel, it actually is a portrait of Chanel, wearing her own designs, a simple wool jersey dress (she was the first to use this fabric which allows so much more freedom of movement) her own jewelry, including her enamel cuff bracelets and hair style with bow. She is seated on one of her famous caramel suede sofas with one of her favorite flower arrangements. Chanel had such courage and originality, she revolutionized the way women dressed, freeing them from corsets and heavily constructed clothing that restricted their movement. Her influence is still strongly felt in what women wear today. |
I wish I'd thought of painting the models sooner because I would have done some of the other great models I've used.
For instance, Chad Burns, divinely handsome, part American Indian, always warm, friendly and good natured. He and his wife now operate a bed and breakfast in Hawaii. He was the hero, dancing regally in one of my favorite paintings, which hangs in my foyer, the inside double spread for Proud Blood by Joy Carroll. He was the dramatic flag holder on the front cover and hero on the inside double spread for Sharpe's Eagle by Bernard Cornwell. He posed for River Witch by Felicia Andrews, Swan Song by Violet Ashton, Moth and Flame by Laura Parker and many others.
Ransom Foreman
(perfect hero's name) and he is a handsome
Ransom! Has a wonderful aristocratic profile and is a very nice man. You'll
see him on Some Distant Shore by Lynn Erickson, The Marriage
Contract by Virginia Neilson, Georgina by Marion Devon, Brighton
Road by Susan Carroll and Fiery Hearts by Julie Grice.
I would have loved to paint the beautiful Carole Gustafson, a sweet and vulnerable girl. Carole posed for one of my favorites, Wings of the Falcon by Barbara Michaels and all of the Catherine series by Julliette Benzoni, which had been a huge best seller in France. She was the heroine of Moon Witch by Felicia Andrews and the angelic looking blonde on Mistress of Martinique by Helene Thornton. I love her pose and facial expression on that one. She was also the redhead on Lady of Fire by Valerie Vayle.
Another favorite of mine I would have painted
is P.J. Sheaffer - a perfect model. While some models just look
stiff, she always posed beautifully. She was the gorgeous blonde on
Iron Lace by Lorena Dureau, the barely clothed heroine of Desert
Hostage by Diane Dunaway, and posed for Under the Wild Moon by Diane
Carey. She was the heroine of A Rebel's Love and To Love and
to Conquer , both by Joyce Verette, The Devil's Embrace
by Catherine Coulter and Golden Promises
by Peggy Hanchar. She was always pleasant and easy to work with.
By the way, the intriguing Fabio is the sea captain in
an intimate scene for 'Till Dawn Tames the Night.